Saturday, April 19, 2025

Portrait 35/100












I had a lot of phthalo blue and green left on my palette from a few days ago, so in the spirit of "waste not, want not," I found a reference image that might help me use it up (I did not use it up, as a little phthalo goes a long way). I also wondered how I would like starting the painting without an initial drawing. The answer is that I did like it, it was kind of fun, but I had to fix some major wonkiness along the way, as you can see in the progress series. My iPhone camera lightened this portrait in the progress series, but the main image at the top is from my scanner, which didn't adjust the exposure and is closer to the actual painting.

8x8" oil on panel. Thank you to "Double e" on Unsplash for the lovely reference photo.




Saturday, April 12, 2025

Portrait 34

 











I like the long neck and slight attitude coming from the woman in the reference photo, so thank you to Sofia Carroll on the Museum by Sktchy app for posting it. The photo had a lot of stuff in the background, which I didn't want to strip away entirely, so I made geometric shapes out of it That's a clothes closet at the right! I used these colors: titanium white, burnt umber, naphthol red, hansa yellow medium, and ultramarine blue, and decided to keep most of his painting muted (in comparison to what I usually do with high chroma). 

8x8" oil on panel. Here is a progress series:



Thursday, April 3, 2025

Portrait 33

 











I sometimes like to start with a colored underpainting, but I've learned from this one that green is not the best for portraits (duh!). It took a lot of paint to get rid of the green cast on this one. 

I usually stick to a 3-primary palette that includes ultramarine blue, but for this one I switched that out and used phthalo blue and veridian for the cools, because her drapery required a little more punch than what ultramarine can offer. I also got out my stencils--this one a big feather--to add a bit more interest to the background. The grayish background had already dried, so I put my stencil right on top of that and added a light blue oil paint. This painting is in oil on 8x8" mdf board. Thank you to "Bluep Er" on the Museum by Sktchy app for the reference photo.

Here are some process shots:



Portrait 54/100

For this painting, I'm still using a 3-primaries plus white plus phthalo green palette.  I added some abstract shapes and color to jazz ...