Portrait 39/100

 

This is a paintover. I like painting over older paintings. It removes that old painting (which I don't love) from my stack, gives me a surface to paint on that already is primed with oil paint (I just sand it down a bit) and sometimes a ghost of the old painting shines through in interesting ways. I've been meaning to paint this portrait for a long time. It's a lovely reference photo taken by Bryce C Liston of model Vera. So thank you to those two for the inspiring reference!

8x8" oil paint on linen panel.

Portrait 38/100

I am pretty comfortable using a 3-primary plus white palette, so I dipped my toes into unfamiliar waters by using a split primary palette. I'm still not sure how to use this palette. I like the 3-primary because everything gets mixed with everything else and so the color harmony is pretty much guaranteed. That's not how I used this one. A lot of the sky colors are thanks to phthalo blue and magenta, whereas the skin colors are thanks to naphthol red mixes. More learnings are ahead, I hope! 

Here are some process shots:

Thank you to lotta love at the Museum by Sktchy app for the cool reference photo. 8x8" oil on panel.

Portrait 37/100

I have been taking an experimental color class by Zoey Frank, and it inspired me to try a different 3 primaries for this portrait. Titanium white and Hansa yellow medium are staying, but my blue is now phthalo blue and my red is quinacridone magenta. I enjoyed trying to match colors as best I could, even though some couldn’t quite get there. Thank you to Faeza Sa on the Museum app for the charming reference photo. I really like the shape of her hair.

Here are some process shots:

Portrait 36/100

 

I took a little hiatus from painting portraits to paint still lifes and a big cat. But my plan to do 100 in a year is still on! For this one, I used a 3 primary palette plus white, and drove it into a pretty high chroma state. It's my natural tendency that I'm trying to fight with.

Thank you to Paola ER on the Museum by Sktchy app for the lovely reference photo.

Portrait 35/100

I had a lot of phthalo blue and green left on my palette from a few days ago, so in the spirit of "waste not, want not," I found a reference image that might help me use it up (I did not use it up, as a little phthalo goes a long way). I also wondered how I would like starting the painting without an initial drawing. The answer is that I did like it, it was kind of fun, but I had to fix some major wonkiness along the way, as you can see in the progress series. My iPhone camera lightened this portrait in the progress series, but the main image at the top is from my scanner, which didn't adjust the exposure and is closer to the actual painting.

8x8" oil on panel. Thank you to "Double e" on Unsplash for the lovely reference photo.

Portrait 34

 

I like the long neck and slight attitude coming from the woman in the reference photo, so thank you to Sofia Carroll on the Museum by Sktchy app for posting it. The photo had a lot of stuff in the background, which I didn't want to strip away entirely, so I made geometric shapes out of it That's a clothes closet at the right! I used these colors: titanium white, burnt umber, naphthol red, hansa yellow medium, and ultramarine blue, and decided to keep most of his painting muted (in comparison to what I usually do with high chroma). 

8x8" oil on panel. Here is a progress series:

Portrait 33

 

I sometimes like to start with a colored underpainting, but I've learned from this one that green is not the best for portraits (duh!). It took a lot of paint to get rid of the green cast on this one. 

I usually stick to a 3-primary palette that includes ultramarine blue, but for this one I switched that out and used phthalo blue and veridian for the cools, because her drapery required a little more punch than what ultramarine can offer. I also got out my stencils--this one a big feather--to add a bit more interest to the background. The grayish background had already dried, so I put my stencil right on top of that and added a light blue oil paint. This painting is in oil on 8x8" mdf board. Thank you to "Bluep Er" on the Museum by Sktchy app for the reference photo.

Here are some process shots: