Here are some process images. It's amazing how dark the skin tones appear at first, before any background color is added. As I painted this, I thought how it might look better if the ball at the top of his hat were bigger and went off the panel. Maybe right, maybe wrong--either way, it was fun to make this design decision that went beyond the reference photo.
Here I document my year-long 100 portrait project. And I'm also thinking about painting/drawing 100 trees...
Saturday, December 21, 2024
Portrait 5/100
This is the son of a friend. The background in the reference photo was a little chaotic, so I simplified it with this gradation of green that marries well with his coat color and stands as a good complement to his hat. The light and shadow shapes of his face were not so obvious here, other than the spotlight on his cheek, so I just tried to get the right color and value in each little patch. By the way, an app called ChromaMagic is a very useful tool for color picking. I use it a lot.
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Portrait 78/100
I have been asked to paint all three of a client's children, and am really happy with how the portraits are coming out. All of the ref...
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Portrait 4/100! I used imitation gold leaf on this one. To figure out where I wanted the gold leaf (in the background), I initially sketch...
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Portrait 2/100! Making progress. In making this portrait, I had just watched a video by Sarah Sedwick in which she used a limited palette...
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I thought I'd shake up my process a bit, doing a wipe-out method to start. In this method, you put a thin wash of oil paint on the sur...

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