This panel began as a landscape piece (unloved), which accounts for the green undertone. I love how paint overs bring surprising elements to a new painting. The subject matter made this painting a real challenge: so much skin, so little color! I worked hard to make the baby pudge feel soft and believable—what do you think? The lost edge near the baby's elbow was an accident, but I should remind myself to make more of these, because it makes the painting more interesting.
Here I document my year-long 100 portrait project. And I'm also thinking about painting/drawing 100 trees...
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Portrait 78/100
I have been asked to paint all three of a client's children, and am really happy with how the portraits are coming out. All of the ref...
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Portrait 4/100! I used imitation gold leaf on this one. To figure out where I wanted the gold leaf (in the background), I initially sketch...
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Portrait 2/100! Making progress. In making this portrait, I had just watched a video by Sarah Sedwick in which she used a limited palette...
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I thought I'd shake up my process a bit, doing a wipe-out method to start. In this method, you put a thin wash of oil paint on the sur...


I saw your "Sarah on Gold" at DPW. It is a great painting and I was moved to check out your web page. You have lots of great paintings, and I was impressed with your progress on your 100 project. This one, 46, is sweet. My daughter just gave birth to a child three weeks ago, and this painting reminds me of the bond they have.
ReplyDeleteThank you, Don! I've been learning a lot during this portrait project and I'm glad it shows. And a hearty congratulations on a new grandbaby!
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