This panel began as a landscape piece (unloved), which accounts for the green undertone. I love how paint overs bring surprising elements to a new painting. The subject matter made this painting a real challenge: so much skin, so little color! I worked hard to make the baby pudge feel soft and believable—what do you think? The lost edge near the baby's elbow was an accident, but I should remind myself to make more of these, because it makes the painting more interesting.
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100 Portrait Project Custom Portrait Giveaway
This giveaway is happening on Instagram, so go here (to my Instagram post about it) for more details. Entry deadline February 10, 2026.
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Portrait 4/100! I used imitation gold leaf on this one. To figure out where I wanted the gold leaf (in the background), I initially sketch...
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This is a common theme for me, because I see it a lot in my household. I used a limited palette of a red, yellow, blue, and white. This is...
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I worked several days on this one in bits and pieces of time. I was inspired by the reference photo (thank you to Lillith May on the Museu...


I saw your "Sarah on Gold" at DPW. It is a great painting and I was moved to check out your web page. You have lots of great paintings, and I was impressed with your progress on your 100 project. This one, 46, is sweet. My daughter just gave birth to a child three weeks ago, and this painting reminds me of the bond they have.
ReplyDeleteThank you, Don! I've been learning a lot during this portrait project and I'm glad it shows. And a hearty congratulations on a new grandbaby!
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